creative search

1) Медицина: Screening Elders To Access Referrals Care And Health

2) Военный термин: system evaluation and reliability checker, system evaluation and reliability checker SEARAM, semiactive radar missile

3) Религия: Seeking Employment And Renewing Christian Hope, South East Area Rochester Churches For Habitat

4) Юридический термин: Sexism Ethnicity Ageism Racism Culturalism And Homophobia

5) Университет: Scan, Examine, Act, Review, Connect, And Hunt

6) Вычислительная техника: System for Electronic Analysis and Retrieval of Criminal Histories

7) Деловая лексика: Seek Evaluate Analyze Research Challenge And Hypothesize

8) Образование: Students Excited About Reaching Challenging Heights, Students Experiencing Appropriate Research And Creative Happenings

9) Океанография: Study of Environmental Arctic Change

10) Должность: Self Employed Arts Related Contractors For Hire

11) Базы данных: Search Envisioned As Relation And Class Hierarchizing

1) Медицина: Screening Elders To Access Referrals Care And Health

2) Военный термин: system evaluation and reliability checker, system evaluation and reliability checker SEARAM, semiactive radar missile

3) Религия: Seeking Employment And Renewing Christian Hope, South East Area Rochester Churches For Habitat

4) Юридический термин: Sexism Ethnicity Ageism Racism Culturalism And Homophobia

5) Университет: Scan, Examine, Act, Review, Connect, And Hunt

6) Вычислительная техника: System for Electronic Analysis and Retrieval of Criminal Histories

7) Деловая лексика: Seek Evaluate Analyze Research Challenge And Hypothesize

8) Образование: Students Excited About Reaching Challenging Heights, Students Experiencing Appropriate Research And Creative Happenings

9) Океанография: Study of Environmental Arctic Change

10) Должность: Self Employed Arts Related Contractors For Hire

11) Базы данных: Search Envisioned As Relation And Class Hierarchizing

творческ|ий - creative, constructive;
~ие искания creative search sg., quest for inspiration sg., artistic explorations;
~ путь художника development of an artist;
~ вечер, отчёт( музыканта) recital;
(писателя) reading;
~ая мысль creative thought;
~ая деятельность creative activities pl. ;
~ коллектив( creative) group/team;
~ая командировка trip to gather material for creative work;
~ отпуск time-off (from official duties) to work in one`s own artistic, scientific field;
~ая сила creative power;
~ успех artistic success;
~ое озарение (burst/flash of) inspiration;
brainwave;
brainstorm;
~ие годы писателя a writer`s productive period.

   1) All Human Complex Problem Solving Is Creativity

   Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)

   2) Artificial Intelligence Models of Creative Association

   Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)

   3) Creative Innovation and Social Independence

   There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)

   4) Ego Strength and Emotional Stability among Creative Geniuses

   he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)

   5) Its Mundane Character

   he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)

   6) Mozart's Musical Ideas Came to Him in Polished Form

   From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)

   7) Scientific Theories and Works of Art Alike Originate in Fantasy

   Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)

   8) Self- Esteem and Creative Expression

   The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)

   9) Stages in Creative Problem- Solving

   In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)

    10) The Bisociative Pattern of the Creative Synthesis

   he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)

    11) The Earliest Stages in the Creative Process Involve a Commerce with Disorder

   Even to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)

    12) The Inner Life of the Creative Process

   New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)

    13) The Problem of What Impels the Creative Person

   [P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....

   Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)

    14) Theories of Creative Thinking

   A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....

   Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)

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- acceptable solution

1) Компьютерная техника: Society for Private and Commercial Earth Stations

2) Техника: Shuttle payload contamination evaluation, spacecraft prelaunch automatic checkout equipment, speech processing and control equipment

3) Шутливое выражение: Sisters Playful Anarchy Causes Emergency

4) Университет: Special Programs For Academic And Creative Excellence, Student Programming And Activities For Campus Entertainment, Students Planning And Conducting Engineering, Studying Power And Conserving Energy

5) Фирменный знак: Speakers For Public Appearances And Cooperative Enterprises

6) Деловая лексика: Safety Planning Awareness Choice And Empowerment

7) Образование: Strategic Parent And Child Encounters

8) Расширение файла: Symbolic Programming Anyone Can Enjoy

9) Международная торговля: Search Project For Aspects Of Close Encounters

1) Компьютерная техника: Society for Private and Commercial Earth Stations

2) Техника: Shuttle payload contamination evaluation, spacecraft prelaunch automatic checkout equipment, speech processing and control equipment

3) Шутливое выражение: Sisters Playful Anarchy Causes Emergency

4) Университет: Special Programs For Academic And Creative Excellence, Student Programming And Activities For Campus Entertainment, Students Planning And Conducting Engineering, Studying Power And Conserving Energy

5) Фирменный знак: Speakers For Public Appearances And Cooperative Enterprises

6) Деловая лексика: Safety Planning Awareness Choice And Empowerment

7) Образование: Strategic Parent And Child Encounters

8) Расширение файла: Symbolic Programming Anyone Can Enjoy

9) Международная торговля: Search Project For Aspects Of Close Encounters

1) Компьютерная техника: Society for Private and Commercial Earth Stations

2) Техника: Shuttle payload contamination evaluation, spacecraft prelaunch automatic checkout equipment, speech processing and control equipment

3) Шутливое выражение: Sisters Playful Anarchy Causes Emergency

4) Университет: Special Programs For Academic And Creative Excellence, Student Programming And Activities For Campus Entertainment, Students Planning And Conducting Engineering, Studying Power And Conserving Energy

5) Фирменный знак: Speakers For Public Appearances And Cooperative Enterprises

6) Деловая лексика: Safety Planning Awareness Choice And Empowerment

7) Образование: Strategic Parent And Child Encounters

8) Расширение файла: Symbolic Programming Anyone Can Enjoy

9) Международная торговля: Search Project For Aspects Of Close Encounters

1) сила; мощь; способность

2) энергия

3) власть, сила

4) право, полномочия

5) держава

•

- ABC Power

- accession to power

- acquisition of market power

- balance of power

- belligerent powers

- corridors of power

- creative power

- decentralization of power

- decision-making power

- delegation of powers

- demonstration of power

- dual power

- economic power

- organ of state power

- outside powers

- party in power

- peaceful power

- seizure of power

- separation of powers

- sharing of power with smb

1) работа, труд; производство

2) печатный труд, сочинение, произведение

3) pl предприятие

4) pl механизм

•

- accessory work

- program of work

- propaganda work

- right to work

- routine work

n мен. стратегія; політика; поведінка; спосіб дії; a стратегічний

план і передбачений спосіб дії для виконання і забезпечення цілей компанії чи інших організацій

═════════■═════════

admissible strategy припустима стратегія; advertising strategy стратегія реклами • рекламна стратегія; available • доступна стратегія; bargaining strategy стратегія торгів • стратегія проведення торгів • стратегія переговорів; best strategy найкраща стратегія; bidding strategy стратегія торгів; brand extension strategy стратегія розширення марки; broad strategyies загальні стратегічні напрями; business strategy стратегія ділової активності; campaign strategy стратегія кампанії • стратегія рекламної кампанії; cautious strategy обережна стратегія; communication strategy стратегія комунікації; competitive strategy конкурентоспроможна стратегія • стратегія підходу до конкурентів; competitive marketing strategy маркетингова стратегія • підхід до конкурентів; composite strategy складова стратегія; copy strategy текстова стратегія • загальний підхід до тексту; core strategy основоположна стратегія • основна стратегія; corporate strategy стратегічний напрям фірми • загальнофірмова стратегія; corporate identity strategy стратегія фірмового стилю; creative strategy творча стратегія; development strategy стратегія розвитку; discount strategy стратегія зниження цін; distribution strategy стратегія розповсюдження товару; dominant strategy домінуюча стратегія; duplicated strategy дубльована стратегія; effective strategy ефективна стратегія; empirical strategy емпірична стратегія; entry strategy стратегія входу; equilibrium strategy стратегія рівноваги; essential strategy суттєва стратегія; expansion strategy стратегія розширення; experience-curve pricing strategy стратегія ціноутворення на основі кривої досвідченості; feedback strategy стратегія зі зворотним зв'язком; flexible strategy гнучка стратегія; follow-up strategy стратегія наступної роботи • додаткова стратегія • послідовна стратегія; forecasting strategy стратегія прогнозування; forward strategy наступальна стратегія; general strategy загальна стратегія; geographic pricing strategy стратегія ціноутворення за географічним принципом; good-value strategy стратегія якості; grim-trigger strategy стратегія «спускового гачка» • стратегія взаємодії компаній в умовах олігополії; growth strategy стратегія зростання; hard-line strategy жорстка стратегія; inadmissible strategy неприпустима стратегія; independent strategy незалежна стратегія; initial strategy початкова стратегія; interaction strategy стратегія взаємодії; interest-rate strategy стратегія відсоткової ставки; intervention strategy стратегія втручання; joint strategy спільна стратегія; linear strategy лінійна стратегія • математично обчислена стратегія; long-term strategy довгострокова стратегія • перспективна стратегія; management strategy стратегія менеджменту • стратегія управління виробництвом; market strategy ринкова стратегія; market coverage strategy стратегія охоплення ринку; market entry strategy стратегія входу на ринок; market expanding strategy стратегія розширення ринку; marketing strategy стратегія маркетингу • маркетингова стратегія; marketing mix strategy стратегія формування маркетингового комплексу; maximin strategy максимінна стратегія; media strategy стратегія вибору засобів реклами; message strategy стратегія звернення; milking strategy стратегія «видоювання» ринку; minimax strategy мінімаксна стратегія; mixed strategy змішана стратегія; monopoly strategy монополістична стратегія; multi-brand strategy багатомарочна стратегія; multistage strategy багатоступенева стратегія; nonoverlapping strategyies стратегії, які не перетинаються; optimal strategy оптимальна стратегія; ordering strategy порядок подання замовлень; overall sales strategy загальна стратегія збуту; penetration strategy стратегія проникнення; permissible strategy допустима стратегія; price strategy стратегія ціноутворення; pricing strategy стратегія ціноутворення; product strategy товарна політика • стратегія товару; production strategy стратегія виробництва; product-line strategy стратегія товарного асортименту; profit-taking strategy стратегія отримання максимально можливого прибутку; promotion strategy стратегія стимулювання • стратегія просування товару; public relations strategy стратегія громадських зв'язків; pull strategy; pure strategy чиста стратегія; push strategy; reach strategy стратегія охоплення; randomizing strategy випадкова стратегія • стратегія за правилами теорії вірогідності; replacement strategy стратегія поповнення запасів • порядок заміни устаткування; replenishment strategy стратегія поповнення запасів; rip-off strategy стратегія пограбування; sales strategy торговельна стратегія • збутова стратегія; sales-force strategy стратегія роботи торговельного апарату; scheduling strategy стратегія календарного планування • стратегія оперативного управління виробництвом; search strategy стратегія пошуку; segmentation strategy стратегія сегментації ринку • підхід до сегментації ринку; selling strategy торговельна стратегія; social change strategy стратегія суспільних змін; spending strategy стратегія витрат; stationary strategy статична стратегія; strict strategy чиста стратегія; team strategy колективний стратегічний підхід • гуртовий стратегічний підхід; technological strategy технологічна стратегія; thrifty strategy економічна стратегія; tit-for-tat strategy стратегія повторення ходів супротивника • стратегія «око за око»; upgrading strategy стратегія підняття рівня • стратегія підняття якісного рівня; winning strategy переможна стратегія

═════════□═════════

dominant strategy equilibrium рівновага домінуючої стратегії; strategy formulation формулювання стратегії; strategy of overcharging стратегія завищення цін; to carry out a strategy виконувати/виконати стратегію; to develop a strategy розробляти/розробити стратегію • розвивати/розвинути стратегію; to draw up strategy оформляти/оформити стратегію; to follow a strategy дотримуватися/дотриматися стратегії; to plan a strategy планувати/запланувати стратегію; to play a strategy застосовувати/застосувати стратегію; to pursue a strategy дотримуватися/дотриматися стратегії; to work out a strategy розробляти/розробити стратегію • розвивати/розвинути стратегію

* * *

- business strategy

[ˈstrætɪdʒɪ]

build- up strategy вчт. восходящая стратегия business strategy стратегия предприятия company strategy стратегия компании competitive strategy стратегия конкуренции creative strategy марк. творческая стратегия development strategy стратегия развития differentiation strategy стратегия дифференцирования divide and conquer strategy вчт. стратегия "разделяй и властвуй" expansionary strategy экспансионистская стратегия feedback strategy стратегия с обратной связью funding strategy стратегия консолидирования funding strategy стратегия финансирования funding strategy стратегия фундирования inference control strategy вчт. стратегия управления выводом linear strategy линейная стратегия long-term strategy долгосрочная стратегия market entry strategy стратегия проникновения на рынок markov strategy марковская стратегия markovian strategy марковская стратегия maximin strategy максиминная стратегия milking strategy ведение операций без резервов niche strategy стратегия выхода на незанятый рынок товаров penetration strategy рекл. стратегия проникновения permissible strategy допустимая стратегия portfolio strategy стратегия размещения ценных бумаг randomized strategy рандомизированный стратегия retrieval strategy док. порядок внесения исправлений sales strategy стратегия поддержания уровня сбыта search strategy doc. стратегия поиска segmentation strategy стратегия сегментации stationary strategy стационарная стратегия strategy стратегия; оперативное искусство strategy стратегия suboptimal strategy частично оптимальная стратегия

   1) The Compulsion to Renewed Creativity in the Serious Musical Composer

   The serious composer who thinks about his art will sooner or later have occasion to ask himself: why is it so important to my own psyche that I compose music? What makes it seem so absolutely necessary, so that every other daily activity, by comparison, is of lesser significance? And why is the creative impulse never satisfied; why must one always begin anew? To the first question-the need to create-the answer is always the same-self-expression; the basic need to make evident one's deepest feelings about life. But why is the job never done? Why must one always begin again? The reason for the compulsion to renewed creativity, it seems to me, is that each added work brings with it an element of selfdiscovery. I must create in order to know myself, and since selfknowledge is a never-ending search, each new work is only a part-answer to the question "Who am I?" and brings with it the need to go on to other and different part-answers. (Copland, 1952, pp. 40-41)

   2) The Relation of Music to Conscious and Unconscious Thought

   When collaboration occurs, when, for a while, the lines of conscious and unconscious thought run along the same track, we achieve the feeling of wholeness and satisfaction which is characteristic of our response to great art and other transcendent states of mind. The patterns of music, translated, analyzed, shorn of detail, are able to stimulate the patterns of emotions on many levels simultaneously, thus bringing various hierarchical states of consciousness and unconsciousness into harmony with one another during the existence of the music for us, whether this is in a performance or purely in the memory. As this happens we experience the sense of unity which arises from the cessation of conflict between conscious and unconscious. (McLaughlin, 1970, pp. 104-105)